Ugo La Pietra
Tea Set 'Bathing Culture'
for Cooperativa Ceramica d’Imola
1987 Italy

UGO LA PIETRA
TEA SET 'BATHING CULTURE'
for COOPERATIVA CERAMICA D’IMOLA
1987 ITALY


"Servizio da tè balneare" by Ugo La Pietra for Cooperativa Ceramica d’Imola, 1987 Italy.

INQUIRE
PHXgallery Ugo La Pietra Tea Set 'Bathing Culture' for Cooperativa Ceramica d’Imola, 1987 Italy
PHXgallery Ugo La Pietra Tea Set 'Bathing Culture' for Cooperativa Ceramica d’Imola, 1987 Italy
PHXgallery Ugo La Pietra Tea Set 'Bathing Culture' for Cooperativa Ceramica d’Imola, 1987 Italy
PHXgallery Ugo La Pietra Tea Set 'Bathing Culture' for Cooperativa Ceramica d’Imola, 1987 Italy
PHXgallery Ugo La Pietra Tea Set 'Bathing Culture' for Cooperativa Ceramica d’Imola, 1987 Italy
PHXgallery Ugo La Pietra Tea Set 'Bathing Culture' for Cooperativa Ceramica d’Imola, 1987 Italy

UGO LA PIETRA

GLOBAL TOOLS FOUNDER

UGO LA PIETRA

GLOBAL TOOLS FOUNDER

PHXgallery Ugo La Pietra Tea Set 'Bathing Culture' for Cooperativa Ceramica d’Imola, 1987 Italy

"Servizio da tè balneare" Bathing tea set, by Ugo La Pietra for Cooperativa Ceramica d’Imola, 1987. SOURCE: Ugo La Pietra Archives

UGO LA PIETRA
Artist, architect, designer
Born in 1938 in Bussi sul Tirino (Pescara)
Native of Arpino (Frosinone)
Lives and works in Milano

An architect by training, he is an artist, filmmaker, editor, musician, cartoonist and teacher. He has been defining himself as a researcher in communication systems and in visual arts since 1960, moving simultaneously in the worlds of art and design.

A tireless experimenter, he has crossed different currents (from Informalism and Conceptual Art to Narrative Art and artist’s cinema) and used multiple mediums, conducting research that were embodied in the theory of the “Disequilibrating System” – autonomous expression within Radical Design – and in important sociological themes such as “The Telematic Home” (MoMA, New York, 1972 – Fiera di Milano, 1983), “Real Space / Virtual Space” (Triennale di Milano 1979, 1992), “The eclectic Home” (Abitare il Tempo, 1990), “Beach Culture” (Centro Culturale Cattolica, 1985/95). He has transmitted his work through numerous exhibitions in Italy and abroad, and he has curated several exhibitions at the Triennale di Milano, the Venice Biennale, the Musée d’art contemporain de Lyon, the FRAC Centre in Orléans, the International Museum of Ceramics in Faenza, the Fondazione Ragghianti in Lucca, the Fondazione Mudima in Milano and the Museo MA*GA in Gallarate. He has always critically maintained the humanistic, significant and territorial components of design through his works and objects, as well as his work in teaching, theory and publishing.

SOURCE: Ugo La Pietra Archives

Ugo La Pietra, La casa Telematica 1971

Ugo La Pietra handles, 'Mobile Infinite' collection, Studio Alchimia, 1981. SOURCE: Ugo La Pietra Archives

PHXgallery Ugo La Pietra Tea Set 'Bathing Culture' for Cooperativa Ceramica d’Imola, 1987 Italy

"Servizio da tè balneare" Bathing tea set, by Ugo La Pietra for Cooperativa Ceramica d’Imola, 1987. SOURCE: Ugo La Pietra Archives

A tireless experimenter, he has crossed different currents (from Informalism and Conceptual Art to Narrative Art and artist’s cinema) and used multiple mediums, conducting research that were embodied in the theory of the “Disequilibrating System” – autonomous expression within Radical Design – and in important sociological themes such as “The Telematic Home” (MoMA, New York, 1972 – Fiera di Milano, 1983), “Real Space / Virtual Space” (Triennale di Milano 1979, 1992), “The eclectic Home” (Abitare il Tempo, 1990), “Beach Culture” (Centro Culturale Cattolica, 1985/95). He has transmitted his work through numerous exhibitions in Italy and abroad, and he has curated several exhibitions at the Triennale di Milano, the Venice Biennale, the Musée d’art contemporain de Lyon, the FRAC Centre in Orléans, the International Museum of Ceramics in Faenza, the Fondazione Ragghianti in Lucca, the Fondazione Mudima in Milano and the Museo MA*GA in Gallarate. He has always critically maintained the humanistic, significant and territorial components of design through his works and objects, as well as his work in teaching, theory and publishing.

SOURCE: Ugo La Pietra Archives

UGO LA PIETRA
Artist, architect, designer
Born in 1938 in Bussi sul Tirino (Pescara)
Native of Arpino (Frosinone)
Lives and works in Milano

An architect by training, he is an artist, filmmaker, editor, musician, cartoonist and teacher. He has been defining himself as a researcher in communication systems and in visual arts since 1960, moving simultaneously in the worlds of art and design.

UGO LA PIETRA
Artist, architect, designer
Born in 1938 in Bussi sul Tirino (Pescara)
Native of Arpino (Frosinone)
Lives and works in Milano

An architect by training, he is an artist, filmmaker, editor, musician, cartoonist and teacher. He has been defining himself as a researcher in communication systems and in visual arts since 1960, moving simultaneously in the worlds of art and design.

GLOBAL TOOLS FOUNDER

"Servizio da tè balneare" Bathing tea set, by Ugo La Pietra for Cooperativa Ceramica d’Imola, 1987

A tireless experimenter, he has crossed different currents (from Informalism and Conceptual Art to Narrative Art and artist’s cinema) and used multiple mediums, conducting research that were embodied in the theory of the “Disequilibrating System” – autonomous expression within Radical Design – and in important sociological themes such as “The Telematic Home” (MoMA, New York, 1972 – Fiera di Milano, 1983), “Real Space / Virtual Space” (Triennale di Milano 1979, 1992), “The eclectic Home” (Abitare il Tempo, 1990), “Beach Culture” (Centro Culturale Cattolica, 1985/95). He has transmitted his work through numerous exhibitions in Italy and abroad, and he has curated several exhibitions at the Triennale di Milano, the Venice Biennale, the Musée d’art contemporain de Lyon, the FRAC Centre in Orléans, the International Museum of Ceramics in Faenza, the Fondazione Ragghianti in Lucca, the Fondazione Mudima in Milano and the Museo MA*GA in Gallarate. He has always critically maintained the humanistic, significant and territorial components of design through his works and objects, as well as his work in teaching, theory and publishing.

SOURCE: Ugo La Pietra Archives

Ugo La Pietra, La casa Telematica 1971

Ugo La Pietra handles, 'Mobile Infinite' collection, Studio Alchimia, 1981.  SOURCE: Ugo La Pietra Archives

Ugo La Pietra, La casa Telematica 1971

Ugo La Pietra handles, 'Mobile Infinite' collection, Studio Alchimia, 1981.  SOURCE: Ugo La Pietra Archives

"Servizio da tè balneare" Bathing tea set, by Ugo La Pietra for Cooperativa Ceramica d’Imola, 1987

A tireless experimenter, he has crossed different currents (from Informalism and Conceptual Art to Narrative Art and artist’s cinema) and used multiple mediums, conducting research that were embodied in the theory of the “Disequilibrating System” – autonomous expression within Radical Design – and in important sociological themes such as “The Telematic Home” (MoMA, New York, 1972 – Fiera di Milano, 1983), “Real Space / Virtual Space” (Triennale di Milano 1979, 1992), “The eclectic Home” (Abitare il Tempo, 1990), “Beach Culture” (Centro Culturale Cattolica, 1985/95). He has transmitted his work through numerous exhibitions in Italy and abroad, and he has curated several exhibitions at the Triennale di Milano, the Venice Biennale, the Musée d’art contemporain de Lyon, the FRAC Centre in Orléans, the International Museum of Ceramics in Faenza, the Fondazione Ragghianti in Lucca, the Fondazione Mudima in Milano and the Museo MA*GA in Gallarate. He has always critically maintained the humanistic, significant and territorial components of design through his works and objects, as well as his work in teaching, theory and publishing.

SOURCE: Ugo La Pietra Archives

Ugo La Pietra, La casa Telematica 1971

Ugo La Pietra handles, 'Mobile Infinite' collection, Studio Alchimia, 1981.  SOURCE: Ugo La Pietra Archives